Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

3.22.2010

Eat, Pray, Love trailer



I spotted the Eat, Pray, Love trailer on my sister's blog this morning and had to share.  Who else is super excited for this?

I haven't read
Gilbert's second book, Committed (it got pretty lukewarm critical reviews), but I'm headed to Dallas for a wedding this weekend and I could use a little plane reading.  Have any of you lovelies read it?  Would you recommend it?

xo,

3.05.2010

Wishing you a relaxing weekend

Happy Friday! What's everyone up to this weekend?

We were planning to take advantage of the nice weather by going hiking at a nearby park, but I'm feeling a bit under the weather so we will have to play it by ear. Good thing we recently signed up for Netflix (we're a bit behind the curve), so I've got some fun films to keep me entertained if I'm couch-ridden. First on the docket is King Corn, which I've heard is really fascinating.

I hope you all have a relaxing weekend! And take care of yourselves - it seems like there's lots of nasty germs going around. Vitamin C, echinacea, lots of fluids, rest, repeat!

Image via The Pulp Girls.

2.26.2010

CHANEL N°5 film

With the not-so-lovely weather that has set it sights on the DC area today, I'm taking refuge in my warmest sweater, lots of hot tea, and little bits of beauty. I know this was released awhile ago, but I just recently saw it for the first time and it so completely affirmed my love for Audrey Tautou that I just had to share it with you all. It was shot by French Director Jean-Pierre Jeunet who actually directed Audrey in the 'Amelie' (one of my all-time favorite films). So beautiful and romantic, n'est-ce pas?

And, one of my favorite photos of the lovely Audrey...just because.

Image via Vi.sualize.us (original source unknown).

1.12.2010

Film fest

This past Saturday, I had my very own little at-home film fest, with a pot of green tea and a cozy blanket for company. My Saturday mornings are typically consumed by catching up on all of the week's loose ends (paying bills, doing laundry, etc.). It was such a delicious feeling to wake up and then simply relax for several hours instead of racing around the house getting things done (though I did that later on in the afternoon). I didn't quite get to The Guitar as planned, but I did watch two films I'd been meaning to watch for ages.

Food, Inc.
The posters for Food, Inc. proclaim, "You'll never look at dinner the sameway again. " I can assure you that, if you watch this film, you'll never look at many things the same way again. Narrated by Michael Pollan and Eric Schlosser, this searing documentary takes on industrial food production in the U.S., examining its hidden environmental, economic, and health
costs and exploring more sustainable alternatives to the current system. Prior to watching this film, I considered myself relatively well-informed about these issues, and for the past 5-6 years have made an increasing effort to eat foods that are locally grown, organic, etc. However, I must admit that I didn't fully understand how all of the issues were connected to large-scale food production and the influence of corporate agriculture. And while I had some idea of these companies' disturbing practices, I can't claim that I realized the extent of how they grossly mistreat animals, workers, small-scale farmers, and consumers. This film really helped to connect all of these issues, and make sense of them in a way both that is at once intellectually compelling and emotionally devastating. I promise you this film will leave you with a dramatically different perspective not only on food, but on life and our relationship to the earth, our bodies, and each other. By the way, Food, Inc.' website has lots of great suggestions for easy ways to get involved in working for a more sustainable system.

Enlighten Up!
As a yogi, I was quite excited to watch Enlighten Up! by filmmaker and dedicated yoga practitioner Kate Churchill, who sets out to prove that yoga can transform anyone. She selects Nick Rosen, a skeptical yet willing subject, to demonstrate her theory. Nick travels the world, visiting yogis and gurus whose practices and beliefs run the full range of the spectrum. Despite Churchill's efforts, Nick continues to view yoga as primarily a good workout rather than a path to spiritual enlightenment. These adventures make for an interesting film, but I was turned off by the way Churchill seemed like she was trying to force Nick to acknowledge yoga's transformational power (as evidenced by her oddly confrontational questions throughout the film). Overall though, the film's lighthearted and humorous tone makes for pleasant - if not terribly revelatory - viewing. Learn more by visiting the film's website.

I would love to hear your thoughts if you've seen either of these films.

P.S. I'm on a total documentary kick right now! I know all of you clever readers must have some great recommendations, so tell me: what's your favorite documentary?

1.08.2010

Weekend plans


What's everyone up to this weekend? I'm planning to have a little at-home film fest (The Guitar, Enlighten Up! and Food, Inc.), make jambalaya in our new slow cooker, catch up on my to-do list, and practice yoga by candlelight (I'm currently sort of obsessed with this candle that Jason gave me for Christmas). I also might have to indulge in a little bookstore browsing. I recently read Malcom Gladwell's Blink, and now I can't wait to read his latest!

Whatever you do, I hope your days off are filled with relaxing and creative goodness!

10.14.2009

Wild thing...you make my heart sing


Even if Maurice Sendak's classic children's book isn't a beloved emblem of your childhood (as it is mine), with writing by Spike Jonze and Dave Eggers and music by Karen O (of the Yeah Yeah Yeahs), this should be a wonderful ride. We are going to see it Friday and I can't wait.

Who else is super excited?

8.28.2009

Julie & Julia Review


Jason and I went to see Julie & Julia the other night. I liked part of it. Half of it, to be precise: the Julia half.

So, let me start with that.

Unsurprisingly, Meryl Streep was absolutely brilliant as the effervescent Julia Child. I thought she captured her so perfectly - the voice, the mannerisms, the uninhibited charm. Julia's storyline was intriguing. Through the lens of her character, we see the struggle for women to be taken seriously in a male-dominated profession, the devastation wrought by McCarthyism, the challenge of publishing a cookbook unlike anything American publishers had encountered before, and Julia's own private sadness about not having children. Stanley Tucci played the mild-mannered Paul Child with a nice subtlety, the affable yin to Julia's lively yang. I found myself smiling at Julia's various antics and cheering along with her when (*spoiler for those who've been living under a rock?*) she finally does get published.

Now, ahem. The Julie part? I think the word that best sums up my feelings is "blah," however inarticulate that may be. I was really put off by Julie's character. In the book, she comes across as witty and intelligent, if slightly self-absorbed. Now, granted, it's almost impossible to act opposite Meryl and come out on the winning end of any comparison, but I found Amy Adams' Julie Powell to be really, really annoying. The extent of her emotional range seemed to be employing a wide variety of pouty faces, teary self-realizations, and childlike tantrums. It was partly the way the character was written, but I also think it was grossly over-acted. And, to be honest, it was not very interesting. So, she has a depressing job? That definitely stinks. But were we supposed to feel sorry for her because she chooses to hang out with self-absorbed corporate fembots and lives in a 900 square-foot apartment with her adorable, loving husband, oh, except that it's in Queens (quelle horreur!)? Give me a break. (And by the way, did anyone else think the fights with her husband seemed totally unrealistic and contrived?) Now I realize that those were, in fact, Julie Powell's circumstances and I'm not suggesting that the movie should've switched up the facts, but I think it really glossed over the complexity of her unhappiness and her pursuit of a meaningful existence, which, in the book, is portrayed with nuance and self-effacing humor.

So, I guess this is what the kids like to call a "mixed review." Loved some parts, really didn't care for others. And, as a huge fan of the book, I really wanted to love it, so I'm surprised by the intensity of my indifference, if there is such a thing as intense indifference.

Those of you who've seen the movie...care to weigh in? Am I totally off in my annoyance with Julie? Was she supposed to be annoying and I just missed the point? Tell me what you thought!

P.S. I did like the Amanda Hesser cameo, even if it was sort of pointless since she said approximately two words. If you haven't read Hesser's book, Cooking for Mr. Latte, I highly recommend it.

Image via FoodieSuz.

5.29.2009

Bottle Shock


Have you seen the film Bottle Shock? Jason and I saw it at the local indie movie theater a few months ago, and I was reminded of it today as I began to think about what to pack for my upcoming trip to Napa (more details on that later!).

Anyway, it's a really cute little film. You might call it a Chardonnay-flavored romantic comedy, with some educational wine history and breathtaking footage of Napa Valley thrown in for good measure. I swooned over the fabulous scenery. And don't you just love the whimsical poster?

Here is the description from Sundance's website (it was featured at the film fest in '08):

"It's 1976, and Jim Barrett (Bill Pullman) is struggling to create the perfect chardonnay at Chateau Montelena, his vineyard in the not-yet-famous Napa Valley, where he has jeopardized everything for a dream. His son, Bo (Chris Pine), at first glance doesn't seem to have inherited his father’s love for the family business, and the two of them are often found duking it out in the backyard boxing ring, each hoping to knock some sense into the other. Steven Spurrier (Alan Rickman) is a British expatriate living in Paris who owns the Academie du Vin; out of necessity, he develops an idea to educate Parisians, not on French wine, but on the new wines coming out of California. A twist of fate along a dusty road brings the floundering vintner and the struggling shop owner together, changing both their lives—and the wine industry—forever.

Director Randall Miller delicately composes Bottle Shock as a cinematic love letter to California’s wine country, where he shot the film in its sun-soaked entirety. Based on a true story, the film reveals America’s initiation into and contribution to vinification, along with the brave and enterprising artisans who love nothing more than to bottle it."

Image of film poster via AllPosters.

Image from film via IndieWire.

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